Biography and Autobiography

Lives We Carry with Us gathers together for the first time a diverse cross section of Coles’s profiles, originally published in our premier magazines over the span of five decades but never before collected in book form. Depicting the famous, the lesser known, and the unknown, the profiles here include portraits of James Agee, Dorothy Day, Erik Erikson, Dorothea Lange, Walker Percy, Bruce Springsteen, Simone Weil, and William Carlos Williams among others. Coles has chosen figures whom he considers his guardian spirits—individuals who shaped, challenged, and inspired one of the great moral voices of our era.


Profiles include:
James Rufus Agee (1909 – 1955) was was one of the most influential film critics in the U.S. He was the author of Let Us Now Praise Famous Men (to which he contributed the text and Walker Evans contributed the photographs) which grew out of an assignment the two men accepted in 1936 to produce a magazine article on the conditions among white sharecropper families in the American South. His autobiographical novel, A Death in the Family (1957), won the author a posthumous Pulitzer Prize.

Simone Weil (1909 – 1943) was a French philosopher, activist, and religious searcher, whose death in 1943 was hastened by starvation. Weil published during her lifetime only a few poems and articles. With her posthumous works –16 volumes in all — Weil has earned a reputation as one of the most original thinkers of her era. T.S. Eliot described her as “a woman of genius, of a kind of genius akin to that of the saints.”

William Carlos Williams (1883 – 1963), was an American poet who was also a pediatrician and general practitioner of medicine. Williams “worked harder at being a writer than he did at being a physician,” wrote biographer Linda Wagner-Martin; but during his long lifetime, Williams excelled at both. He considered himself a socialist and opponent of capitalism and is probably spinning in his grave at the current state of things, economically and socially. One of his best known poems is an “apology poem” taught to most American children in elementary school called “This Is Just to Say” : “I have eaten / the plums / that were in / the icebox / and which / you were probably /saving / for breakfast. / Forgive me / they were delicious / so sweet /and so cold.”


Dorothy Day (1897 – 1980) was an American journalist and social activist who became most famous for founding, with Peter Maurin, the Catholic Worker movement, a nonviolent, pacifist movement which combines direct aid for the poor and homeless with nonviolent direct action on their behalf.
Dorothea Lange (1895 – 1965) was a hugely influential American documentary photographer and photojournalist, best know for her Depression-era work for the Farm Security Administration (FSA). Lange’s photographs humanized the tragic consequences of the Great Depression and profoundly influenced the development of documentary photography, one of Robert Coles’ great passions.

Erik Erikson (1902 – 1994) was a Danish-German-American developmental psychologist and psychoanalyst known for his theories on social development of human beings. He may be most famous for coining the phrase “identity crisis.” Erikson’s greatest innovation was to postulate not five stages of development, as Freud has done with his psychosexual stages, but eight. Erik Erikson believed that every human being goes through a certain number of stages to reach his or her full development, theorizing eight stages, that a human being goes through from birth to death.


Walker Percy (1916 – 1990) was an American southern author best known for his philosophical novels set in and around New Orleans, the first of which, The Moviegoer, won the National Book Award for Fiction in 1962. He devoted his literary life to the exploration of “the dislocation of man in the modern age.” His work displays a unique combination of existential questioning, Southern sensibility, and deep Catholic faith — all themes of great interest to Coles.

Bruce Frederick Joseph Springsteen (born September 23, 1949), has long been in Robert Coles’ orbit and he once held a concert as a fundraisr for Coles’ magazine Double Take (now defunct). Springsteen’s most successful studio albums, Born to Run and Born in the U.S.A., epitomize his penchant for finding grandeur in the struggles of daily life in America, and the latter album made him one of the most recognized artists of the 1980s within the United States.

As the recent presidential campaign revealed, the Vietnam War remains a political lightning rod. In the 1980s, even as a Gallup poll listed Fonda as one of the most admired women in the country, “Hanoi Jane” had become a reviled figure among conservatives for her highly publicized trip to North Vietnam in 1972. Today, according to a recent poll, millions of Americans continue to link Fonda’s name to Vietnam—yet the true history of her antiwar work has been largely obscured.

One of the most popular movie actresses of the 1960s and 1970s, Fonda was also among the most committed and visible antiwar activists of the era. Coming on the heels of Jane Fonda’s own memoir, this is the first book to document one of the most interesting (and least known) chapters in Fonda’s life—including the first comprehensive account of her controversial trips to Hanoi, as well as her extensive efforts on behalf of American GIs.

Based on unprecedented access to Fonda’s twenty-foot-thick FBI files, interviews with the former POWs Fonda met with in Hanoi in 1972, and a broad range of contemporary press reports, Jane Fonda’s War is a fascinating and little-understood chapter in the extraordinary life of an American icon.

In the summer of 1999, while India and Pakistan were engaged in a war, Amitava Kumar—a Hindu Indian writer living and teaching in the United States—married a Pakistani Muslim woman. That event led to a process of discovery that prompted Kumar to examine the hatreds and intimacies joining Indians and Pakistanis, Hindus and Muslims, fundamentalists and secularists, writers and rioters.

In Husband of a Fanatic, Kumar chronicles the entanglements that his new marriage provoked—from ambivalent encounters with family to his disquieting lunch with the amiable bigot who had posted Kumar’s name on his internet blacklist of Hindu traitors. Kumar also travels across the South Asian continent, visiting a classroom in riot-torn Gujarat, a village beside the Ganges, and a psychiatric ward in Kashmir. With a poet’s eye for detail, Kumar draws a map of violence, moving between the wars and nuclear rivalry dividing two nation-states.

Employing elegant and spare prose, Husband of a Fanatic is a fiercely personal reflection on the idea of the enemy.

Praised as “masterful” by the New York Times and “uncommonly talented” by Publishers Weekly and winner of the 1999 Martin Luther King Jr. Achievement Award, Austin Clarke has a distinguished reputation as one of the preeminent Caribbean writers of our time. In Pig Tails ‘n Breadfruit, he has created a tantalizing “culinary memoir” of his childhood in Barbados. Clarke describes how he learned traditional Bajan cooking—food with origins in the days of slavery, hardship, and economic grief—by listening to this mother, aunts, and cousins talking in the kitchen as they prepared each meal.

Pig Tails ‘n Breadfruit is not a recipe book; rather, each chapter is devoted to a detailed description of the ritual surrounding the preparation of a particular native dish—Oxtails with Mushrooms, Smoked Ham Hocks with Lima Beans, or Breadfruit Cou-Cou with Braising Beef. Cooking here, as in Clarke’s home, is based not on precise measurements, but on trial and error, taste and touch. As a result, the process becomes utterly sensual, and the author’s exquisite language artfully translates sense into words, creating a rich and intoxicating personal memoir.