International Affairs

A street-level people’s view of one of the world’s beloved cities, in a stunning debut that blends cutting-edge reporting and sweeping political analysis of a changing Paris

“Working-class Paris is still around today, as real as the cobblestones, gray zinc roofs, and dusty railyards cutting through its neighborhoods.” —from the introduction

The Paris of popular imagination is lined with cobblestone streets and stylish cafés, a beacon for fashionistas and well-heeled tourists. But French-American journalist Cole Stangler, celebrated for his reporting on Paris and French politics, argues that the beating heart of the City of Light lies elsewhere—in its striving, working-class districts whose residents are being priced out of their hometown today.

Paris Is Not Dead explores the past, present, and future of the City of Light through the lens of class conflict, highlighting the outsized role of immigrants in shaping the city’s progressive, cosmopolitan, and open-minded character—at a time when politics nationwide can feel like they’re shifting in the opposite direction. This is the Paris many tourists too often miss: immigrant-heavy districts such as the 18th arrondissement, where crowded street markets still define everyday life. Stangler brings this view of the city to life, combining gripping, street-level reportage, stories of today’s working-class Parisians, recent history, and a sweeping analysis of the larger forces shaping the city.

In the tradition of Lucy Sante and Mike Davis, Paris Is Not Dead offers a bottom-up portrait of one of the world’s most vital urban centers—and a call to action to Francophiles and all who care about the future of cities everywhere.

Two of our most celebrated intellectuals grapple with the uncertain aftermath of the American collapse in Afghanistan

“Through the structure of a deeply engaging conversation between two of our most important contemporary public intellectuals, we are urged to defy the inattention of the media to the disastrous damage inflicted in Afghanistan on life, land, and resources in the aftermath of the U.S. withdrawal and the connections to the equally avoidable and unnecessary wars on Iraq and Libya.”—from the foreword by Angela Y. Davis

Not since the last American troops left Vietnam have we faced such a sudden vacuum in our foreign policy—not only of authority, but also of explanations of what happened, and what the future holds.

Few analysts are better poised to address this moment than Noam Chomsky and Vijay Prashad, intellectuals and critics whose work spans generations and continents. Called “the most widely read voice on foreign policy on the planet” by the New York Times Book Review, Noam Chomsky is the guiding light of dissidents around the world. In The Withdrawal, Chomsky joins with noted scholar Vijay Prashad—who “helps to uncover the shining worlds hidden under official history and dominant media” (Eduardo Galeano)—to get at the roots of this unprecedented time of peril and change.

Chomsky and Prashad interrogate key inflection points in America’s downward spiral: from the disastrous Iraq War to the failed Libyan intervention to the descent into chaos in Afghanistan.

As the final moments of American power in Afghanistan fade from view, this crucial book argues that we must not take our eyes off the wreckage—and that we need, above all, an unsentimental view of the new world we must build together.

In the tradition of Katherine Boo’s Behind the Beautiful Forevers, an unforgettable exploration of the trials of daily life in Mozambique, long heralded as Africa’s “rising star”

Over the past twenty-five years, Mozambique has charted a path of dizzying economic growth nearly as steep as China’s, making it among the fastest-growing economies on the planet. But most Mozambicans have little to show for the long boom; to travel in Mozambique is to see much of the promise of development as a mirage. And in the fall of 2016, a debt crisis unraveled layers of corruption that reverberated across Europe, heralding what many in the financial world feared might be the beginning of a “global financial shockwave” (The Guardian).

Go Tell the Crocodiles explores the efforts of ordinary people to provide for themselves where foreign aid, the formal economy, and the government have fallen short. Author Rowan Moore Gerety tells the story of contemporary Mozambique through the heartbreaking and fascinating lives of real people, from a street kid who flouts Mozambique’s child labor laws to make his living selling muffins, to a riverside community that has lost dozens of people to crocodile attacks. Moore Gerety introduces us to a nation still coming to grips with a long civil war and the legacy of colonialism even as it wrestles with the toll of infectious disease and a wave of refugees, weaving stories together into a stunning account of the challenges facing countries across Africa.

 In 2009, musician Franz Nicolay left his job in the Hold Steady, aka "the world’s greatest bar band." Over the next five years, he crossed the world with a guitar in one hand, a banjo in the other, and an accordion on his back, playing the anarcho-leftist squats and DIY spaces of the punk rock diaspora. He meets Polish artists nostalgic for their revolutionary days, Mongolian neo-Nazis in full SS regalia, and a gay expat in Ulaanbaatar who needs an armed escort between his home and his job. The Russian punk scene is thrust onto the international stage with the furor surrounding the arrest of the group Pussy Riot, and Ukrainians find themselves in the midst of a revolution and then a full-blown war.>

While engaging with the works of literary predecessors from Rebecca West to Chekhov and the nineteenth-century French aristocrat the Marquis de Custine, Nicolay explores the past and future of punk rock culture in the postcommunist world in the kind of book a punk rock Paul Theroux might have written, with a humor reminiscent of Gary Shteyngart. An audacious debut from a vivid new voice, The Humorless Ladies of Border Control is an unforgettable, funny, and sharply drawn depiction of surprisingly robust hidden spaces tucked within faraway lands.

An “intelligent and fascinatingly readable” examination of Al Qaeda after the death of its longtime leader, by the renowned Arab world journalist (Pat Lancaster, editor in chief of Middle East Magazine).

Osama bin Laden is dead, yet Al Qaeda remains the CIA’s number one threat. Since the 9/11 attacks on the United States, and the US military’s subsequent strikes, the organization has evolved into a much more complex and far-flung entity. This richly documented account of Al Qaeda moves well beyond the headlines to offer readers a deeper understanding of the organization’s aims, strategies, and fortunes in a new era of conflict with the United States and the Western powers.

Drawing on firsthand accounts and interviews with uniquely well-placed sources within Al Qaeda, noted journalist and expert Abdel Bari Atwan investigates the movement’s new internal dynamics, how it survives financially, and how its political appeal has changed dramatically following the Arab Spring. Atwan profiles the next generation of leaders and explores both the new methods they embrace—especially on the digital battlefield—as well as the global range of their operations and local variations in Somalia, Afghanistan, Pakistan, Libya, Algeria, Tunisia, Morocco, and elsewhere.

“Abdel Bari Atwan has long been one of the sharpest commentators about Al Qaeda and the Middle East.” —Peter Bergen, author of Manhunt: The Ten-Year Search for Osama bin Laden, from 9/11 to Abottabad

“A sobering, intensive report.” —Kirkus Reviews