Literature & Fiction

Already hailed as “intricate and compelling” by the Times Literary Supplement, The Sandglass is a striking novel by Sri Lankan author Romesh Gunesekera, a 1994 Booker Prize finalist for his first novel, Reef.

Set in London where the Sri Lankan narrator lives, The Sandglass tells the story of two feuding families whose lives are interlinked by the changing fortunes of postcolonial Sri Lanka. In a beautifully constructed work that moves back and forth between two physical and temporal poles, Gunesekera brings to life Prins Ducal and his search for answers about his family’s past in Sri Lanka, including his father’s rise to wealth, rivalry with the Vatunas family, and a suspect death—a mystery that further unfolds upon Prins’s arrival in London for his mother’s funeral.

Weaving together themes of memory, exile, and postcolonial upheaval, Gunesekera has written a book Marie Claire calls “utterly engaging. . . . Romantic, mysterious, and laced with a sense of yearning. . . . A heady mix of 1990s London and postwar Sri Lanka.”

Pig Tales is the story of a young woman who lands a position at Perfumes Plus, a beauty boutique/“massage” parlor. She enjoys great success until she slowly metamorphoses into . . . a pig. What happens to her then overturns all our ideas about relationships between man, woman, and beast in a stunning feminist fable of political and sexual corruption.

Renowned singer Gloire Stella has mysteriously disappeared. When a television producer tries to track her down, Gloire goes on the run. From the cliffs of Brittany to the back alleys of Bombay, Big Blondes is a riotous, nonstop adventure for anyone who has ever wondered whether blondes really do have more fun.

A philosophical mystery novel populated with artists, criminals, and drug addicts, Lines of Fate is one of the most extraordinary novels to emerge from the last years of the Soviet Union. Written at the height of Gorbachev’s power in 1985 but not published in Russian until 1992, the novel is a profound meditation on Russia’s past and present, and a subtle examination of the crippling effects of Soviet power on the nation and on the Russian psyche.

The story follows the young researcher Anton Lizavin’s efforts to piece together a biography of the provincial writer Simeon Milashevich from the bits of candy wrappers Milashevich wrote on during the early period in Soviet history, when paper was scarce. As Lizavin becomes immersed in Milashevich’s life (and presumed death), the two begin a metaphysical conversation across time, and the book becomes a kind of postmodern detective story, painting a broad, fascinating picture of Russian society throughout the century.

Widely hailed in Europe as a new classic of modern Russian fiction, Lines of Fate is an exploration of the Russian soul in the grand tradition of Pasternak and Gogol.

Hailed by the Times Literary Supplement as an “International Book of the Year” on its publication in Britain, The Missing is a fascinating literary meditation on missing persons by the acclaimed young Scottish writer Andrew O’Hagan.

Writing with what one reviewer praised as “passion, eloquence, and honesty,” O’Hagan explores one of society’ most enduring, yet unexamined, concerns—missing persons. He writes movingly of his own grandfather, lost at sea during World War II; of Sandy Davidson, the three-year-old who disappeared from a construction site near O’Hagan’s childhood home; of James Bulger, the toddler abducted from a mall in Liverpool and murdered by two ten-year-olds in 1993; and the twelve young women Fred and Rosemary West murdered and buried in their Gloucester backyard over a period of nearly thirty years.

In all of these cases, O’Hagan goes out with police and meets with social workers and families, always looking for the deeper truths so often left forgotten. What kind of lives did those who have gone missing lead? What made them disappear? What happens to those left behind?

Merging social history, memoir, and reportage, The Missing is one of those rare books that bring a neglected corner of human experience into the public eye, and a memorable debut from an exceptionally perceptive and talented new writer.

Antoine Volodine has been hailed as one of the most innovative and accomplished writers in France today. Compared by critics to Franz Kafka and Lewis Carroll, Volodine weaves an unusual novel of political and psychological intrigue in a lush, exotic setting. The publication of Naming the Jungle marks his American debut and the first translation of his work into English.

Puesto Libertad could be any Latin American city torn by the strife of civil war. In this isolated capital buried in the jungle, the revolutionary secret police have started digging into Fabian Golpiez’s past. In order to avoid brutal torture and interrogation, he decides to feign madness. Led by a local shaman/psychiatrist in a bizarre talking cure, Golpiez must use indigenous names to prove both his innocence and his true Tupi Indian identity. To name is to conquer. He names the monkeys, the plants, and the insects all around him as he names his fear, his paranoia, and his pathologies.

A masterful storyteller, Volodine speaks to us about the slow and fatal agony of revolution in a haunting and intense novel, one of the most dazzling pieces of fiction to come out of France since the early novels of Robbe-Grillet and Duras.

Tibor Fischer’s first novel Under the Frog was one of the most widely praised books in England in 1993. That book followed the fortunes of two young men in the pursuit of sex and the avoidance of work as part of a traveling basketball team in the Hungary of the 1950s, and everyone from Salman Rushdie to A.S. Byatt responded with unbridled enthusiasm.

Now comes his eagerly awaited follow-up, another hilarious chronicle of an unusual dynamic duo—this time chasing after something quite different—and the London papers are even more enthusiastic. The Thought Gang is an unabashedly comic novel of ideas and uncertainty. It is a philosophical novel (or perhaps just a novel about a philosopher). It is also an unusually cinematic novel. As the Sunday Telegraph said, “There are novels which are crying out so loudly to be made into films that you cannot read them without a cinematic version taking shape in your mind, frame by frame, as you turn the pages. Tibor Fischer’ The Thought Gangis one of them.” Perhaps it could best be described as Quentin Tarantino’s Pulp Fiction crossed with Woody Allen’s classic comedy Love and Death.

The setting is France; our hero, a washed-up middle-aged British philosopher named Eddie Coffin. Broke and unsure as to his next meal, he meets Hubert, an incompetent, freshly released, one-armed robber, and the “thought gang” is born. Applying philosophy to larceny, these unlikely bandits question the meaning of life, the value of money, and the role of banks as they wind their way from Montpellier to Toulon in search of the greatest heist in history. Unexpected and volatile, The Thought Gang is the hilarious and thought-provoking story of their travails.

Widely read in Europe, the Estonian novelist Jaan Kross is considered one of the most important writers of the Baltic region, and is an often-named candidate for the Nobel Prize.

His new historical novel, Professor Martens’ Departure, is written in a classic elegiac style reminiscent of Giuseppe di Lampedusa’s The Leopard, and it evokes the complex world of czarist Russian society at the turn of the century. The character of Professor Martens is based on an actual official of the czarist reign, a distinguished Estonian jurist curiously reminiscent of Henry Kissinger.

Faced with a dire financial crisis in Russia, Professor Martens orchestrates a major loan from the French government to stave off famine; as time passes, however, he realizes that he has managed to perpetuate a brutal regime that keeps its political prisoners in chains.

This fictional memoir, written at the end of Martens’ life, finds him reliving his past and questioning the degree to which he has sacrificed himself to maintain a corrupt regime, one that ultimately disdains both him and his people. Considered an outsider by the czar’s adviser, Martens is nonetheless needed for his skills. Still, he is marginalized and kept in the shadows.

Far more than just a political or philosophical novel, Professor Martens’ Departure is an astonishing reconstruction of czarist Russia.

Witness Against the Beast is a groundbreaking interdisciplinary study in which the renowned social historian E.P. Thompson contends that most of the assumptions scholars have made about William Blake are misleading and unfounded. Brilliantly reexamining Blake’s cultural milieu and intellectual background, Thompson detects in Blake’s poetry a repeated call to resist the usury and commercialism of the “Antichrist” embodied by contemporary society—to “witness against the beast.”

Bruno Bontempelli’s The Traveler’s Tree is a spellbinding and most unusual tale of desperation and suspense, which takes place in the eighteenth-century maritime setting Patrick O’Brian made so familiar to American readers. A modern fable reminiscent of Camus’s classic The Plague, The Traveler’s Tree is at its core an exploration of man’s nature.

Somewhere in the Caribbean Sea the French ship Entremetteuse lies stranded without a breeze, its crew racked by starvation and disease, its wood rotting, and its masts limp. An island and the dim outline of the fabled traveler’s tree appear on the horizon. Although only a gunshot away, the island’s sheer cliffs and coral reefs make it cruelly unreachable. The heat grows unbearable, the ship’s stores are nearly depleted, and the rats eagerly await the remains.

As listless as the ship and increasingly feeble with scurvy, the embattled crew dispatches one longboat after another against raging waves, barrier reefs, and poisonous fish in order to reach the island, but to no avail. As mutiny, rebellion, and utter starvation loom, they pin their last hopes on a direct charge of the ship across the reefs, in one last valiant effort to reach the traveler’s tree.

Hailed in France as “a superb allegory” (Le Monde), The Traveler’s Tree is an enthralling novel that tells a story of the human condition and man’s limitations. Writing with extraordinary realism and historical accuracy, Bruno Bontempelli lures us into this absorbing morality tale that will be remembered for years to come.

Far more than simple political commentary, The Last Innocent White Man in America is a passionate marriage of politics and literature that transcends the daily headlines to get at how we imagine ourselves in history. John Leonard is an unrepentant liberal, dissident, scourge, and media critic par excellence. Whether he’s writing about bankers or AIDS, Congress or television, Salman Rushdie or Ed Koch, Leonard will make you stop, think, and laugh.

The nine haunting stories of Monkfish Moon, a New York Times Notable Book of the Year, announce the appearance of an extraordinary writing talent. Published to universal acclaim in England, these stories expertly reveal lives shaped by the luxuriant tropical surroundings of Sri Lanka and disoriented by that country’s resurgent violence.

Gunesekera describes a kind of paradise in which a sudden moment of silence in a city is cause for fear, where civil war disrupts a marriage thousands of miles away, and where “building up”—of businesses, homes, relationships—is more often than not swiftly and violently brought down.

Written with a startling grace, this first, hugely promising collection creates a vivid portrait of a largely unchronicled corner of the world.